It appears that the ban-this-ban-that cancer so prevalent in Israeli
haredi circles has spread here. A music concert, typical of what has been common in our community at least since I was in college, was scheduled to take place in New York’s Madison Square Garden Sunday March 9. Last week
wall posters in Hebrew went up in Boro Park excoriating the concert as contrary to Torah values and likely to lead to impermissible mingling of the sexes (despite separate seating, which was
not a fixture when I was growing up), and calling on the public to boycott the concert and not hire the performers for future functions unless they backed out. At least one copy of the poster appeared on a lamppost in Midwood, where I was able to read it. To the authors’ credit, the Hebrew was quite good; perhaps the practice of spending a year in Israel after high school is doing some
haredim some good. The signers of the ban included the usual suspects, including many who signed a ban on a similar music concert in Israel and who signed the infamous
Slifkin book ban. Not surprisingly, the main performer backed out under intense pressure, and the concert was canceled.
Speculation on the real reasons for the ban is flying thick and fast. There seems to be a fringe group that holds that almost all music is forbidden since the destruction of the
Beit Ha-mikdash. A group of Jews living at the time of the second
hurban, known as
Aveilei Zion, actually sought to forbid eating meat and drinking wine. If God is not to eat sacrificial meat and drink the wine of libations (
zevah u’nesakhim) as it were, then neither should we. The camp of R. Yohanan ben Zakkai countered that it should then be forbidden to drink water, since
nissukh ha-mayyim, the pouring of water on the Altar on Sukkot, was also discontinued. The
hurban was not to engender prohibitions on all the sensual pleasures that nature and nature’s God intended for human beings to enjoy. Needless to say, mainstream
halakha is not like
Aveilei Tziyon. Some contend that the lead performer, Lipa Schmeltzer, who is also a comedian, had made unacceptable jokes about some highly placed rabbis. If that is the reason, some highly placed rabbis need to get themselves a sense of humor. Some say that the style of music lends itself to anti-Torah thoughts or behavior. Since the specific “anti-Torah behavior” cited in the posters is mingling of the sexes, may I remind those people that we are not in Anatevka any more, thank God. Remember Tevya, on being informed by one of his daughters that she had found her own match without a
shadkhan, exclaiming, “Where do you think you are, in Moscow, in Paris, in America?” Well, yes sir, we are in America and I for one am glad of it. Boys and girls will meet, fall in love, get married and make babies, and there is nothing anti-Torah about that; it is the first mitzvah. What do our “Torah authorities” think will happen when you systematically deprive young Jewish people of any chance to meet in a wholesome environment? Two things:1. A
shiddukh crisis – ‘nuff said. 2. Young Jewish people will meet in an
unwholesome environment conducive to all kinds of real, not imagined,
aveirot. That boys and girls will meet and eventually make babies is what nature and nature’s God intended.
Some contend that the style of music, supposedly copied from secular music, is objectionable. R. Shimshon Refael Hirsch, R. Kook and others encouraged us to appreciate and enjoy what is beautiful in the secular culture – להכניס מיפיפותו של יפת לאהלי שם. Back in the ‘70s I took a girl to the opera; we now have, thank God, two wonderful children. And today I sometimes listen to – rap music! It would be difficult to imagine a more objectionable genre of music than rap, with its glorification of violence and disrespect of women. But music is a window on the soul, and I teach inner-city African-American teenagers. I need to listen to their music to get a feel for where they are coming from and, with God’s help, be able to reach them (see the book
Skullcaps and Swithblades, by Dr. David Lazerson). So I will listen to rap music and, if ghettoized “
gedolim” disapprove, why that’s just tough. And guess what? Good rap music does exist! I listened to
a piece from Shaquille O’Neal that made me take a good hard look at how I was functioning as a father. Thanks Shaq, I needed that!
Where do we go from here? Do we allow the ban-signers, and remember they are a Who’s Who of haredi Torah authority in this country and their ban is but the latest, and certainly not the last, of a long train of abuses and usurpations, to impose on us a joyless Taliban-like existence? If you think we have a dropout problem now, well you ain’t seen nothing yet. I too would have dropped out of such an Orthodoxy. We should rather encourage the talented among us to continue performing – when God gives you a talent you’re supposed to use it, remember? If certain authority figures rooted in a bygone world disapprove, well, we are adults and we do not need their approval. And as long as we are cutting the umbilical cord, we might as well have what we had when I was growing up –
mixed seating! Take a date there, or perhaps meet a girl or boy there. Make a point of attending such events – a concert is scheduled for the Sunday after Purim at the Armory at W. 168 Street in Manhattan, sponsored by the National Council of Young Israel and the Jerusalem Reclamation Project, separate seating
available - so the tyrants will not be able to deprive the performers of their livelihood. Engage them at our private
smahot, which will also have mixed seating for those who so desire. In short,
let’s be normal again!
Hat tip: Emes Ve'emuna
Labels: America, gedolim, haredim, Modern Orthodox, Slifkingate